Sunday, June 26 – Saturday, July 2

photographs,
archival pigment prints,
framed,
text on window,
2017

Does it affect me?,
Barbarba J. Scheuermann, in:
Sunday, June 26 – Saturday, July 2,
DISTANZ Verlag, Berlin, 2018 (excerpt)

Postcard and Mirror,
41,25 × 27,5 cm

Postcard and Mirror,
41,25 × 27,5 cm

 

Turner and Hotel,
Text, english version,
variable size and display technique

Turner and Hotel,
Text, english version,
variable size and display technique

Sunday, June 26, 2016
International New York Times
[What if I didn’t care?],
54 × 71,8 cm

Sunday, June 26, 2016
International New York Times
[What if I didn’t care?],
54 × 71,8 cm

Monday, June 27, 2016
International New York Times
[Does it affect me?],
54 × 71,8 cm

Monday, June 27, 2016
International New York Times
[Does it affect me?],
54 × 71,8 cm

Tuesday, June 28, 2016
International New York Times
[Really?],
54 × 71,8 cm

Tuesday, June 28, 2016
International New York Times
[Really?],
54 × 71,8 cm

Wednesday, June 29, 2016
International New York Times
[What do I know?],
54 × 71,8 cm

Wednesday, June 29, 2016
International New York Times
[What do I know?],
54 × 71,8 cm

Thursday, June 30, 2016
International New York Times
[Now?],
54 × 71,8 cm

Thursday, June 30, 2016
International New York Times
[Now?],
54 × 71,8 cm

Friday, July 1, 2016
International New York Times
[Do I think about it?],
54 × 71,8 cm

Friday, July 1, 2016
International New York Times
[Do I think about it?],
54 × 71,8 cm

Saturday, July 2, 2016
International New York Times
[Perhaps next time?],
54 × 71,8 cm

Saturday, July 2, 2016
International New York Times
[Perhaps next time?],
54 × 71,8 cm

 

Blue Notebook [Marat / Sade I],
26,25 × 17,5 cm

Blue Notebook [Marat / Sade I],
26,25 × 17,5 cm

Bordeaux-red Notebook and Paperback [Marat / Sade II],
42,75 × 28,5 cm

Bordeaux-red Notebook and Paperback [Marat / Sade II],
42,75 × 28,5 cm

 
 
 
 

Wiebke Elzel’s current works raise fundamental questions about the relationship of art to world events, and reflect on the potential power of artistic and political expression. (…) Once again, the artist is working with arrangements of letters cut from newspaper pages. With time consuming, detailed labor she cuts headlines into fragments and single letters, then arranges and groups them into a new, seemingly randomly produced image.The title of the new series, Sunday, June 26 – Saturday, July 2, refers to seven editions of the International New York Times, which constitute the source material for this multi-part photographic work.
(…)
In the week after the Brexit vote in Great Britain in 2016, the result of which initially seemed to shake the foundations of Europe, she cut headlines out of seven editions of the International New York Times from that week, then dismantled them, mixed them anew, and photographed these accumulations. The personal questions articulated therein are hard, if not impossible, to decode, although for the patient viewer it is to a certain extend possible. The artist also doesn’t really keep them a secret: she has added the inherent questions to the dates that serve as titles.

Sunday: What if I didn’t care?
Monday: Does it affect me?
Tuesday: Really?
Wednesday: What do I know?
Thursday: Now?
Friday: Do I think about it?
Saturday: Perhaps next time?

(…)
Wiebke Elzel fills notebooks, writes her thoughts down, collects quotations and composes texts that are half fiction, half documentary. (…) This time they are incorporated in the installation in differing ways: as photographs of opened notebooks and, as membrane between outside and inside, on the front wondow of the exhibition room. (…) In this short text, Wiebke Elzel connects all of these–a hotel, a mirror, William Turner’s painting, an army–together, and thereby touches on, supposedly just coincidentally, major themes of her artistic thinking: cultural history and its artifacts as tracks leading up to and affecting our present, reflection (in multiple senses), and the effects of world political events on the individual.
(…)